The narrative commentary has been a pretext to continually renew my artistic language by fusing traditional and contemporary art techniques. This achieves a vivacious expression and genre, rather than creating a recognizable idiom. I am involved in an expressionism-based practice, bringing my canvases into action through a strong colour palette, gestural brushstrokes and narratives that insert, in a subtle matter, dissonance, like a disagreeable auditory experience of sound that lacks cohesion. I am inspired by musical compositions and choreography and I am engaged in a very particular process arranging expressive elements and colours, as a composer would score a series of sounds and notes or as a choreographer that instructs a dancer where and how to move about in a specific place.