Inspired by the signs of shop-windows, observed as he walks through the city, Sotiris Panousakis comments on the aesthetics of public entertainment and consumption places. The photographic impression is the first mediated recording of the personal experience and the primary material for the creation of a painting. In the context of the painting process, he isolates or enlarges scenes that unfold within the limits of the urban space, a space that reflects contemporary political, economic and social realities. His work refers to the convention of language and in particular to the language of painting, illuminating that very unexpected moment where abstraction and representation, iconography and ideological construction intersect.